I was fascinated with Lari Pittman. His work proves that painting is still a vivid exploration between the individual, contemporary culture, and history. He draws imagery from Mexican murals and retablos, to be transferred into a society still oppressed, but open to the discussions of gender and ideological oppression. His technique is exquisitely detailed, with overlapping images and vibrant colors. His narrative proves to be a descendant of the fascination with human suffering of colonial Mexican monks, the deconstructive idealism of the modernist, and the preoccupations of the generations of the 60’s.
“Attendant”
2006
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